Picasso the cat means business as he poses with a Realistic MG-1 synthesizer. Submitted by James Bahleda via our Facebook page.
The MG-1 was built by Moog for Realistic (Radio Shack), and was designed and marketed for home/casual use. It’s no Model D, but it does still have Moog technology and sound. It remains popular with some collectors and artists. You can read more about it here.
Winter Modular Eloquencer is the main sequencer with all 8 tracks used for: bass from Verbos Harmonic Osc, 4 drums from 2 Erica Pico Drums.
The chords are formed by Intellijel Shapeshifter, Mutable Instruments Elements and Braids, through Makenoise Erbe-Verb and Erica Black Hole DSP.
The lead and blips are from Tiptop Z3000 and Malekko Anti-Oscillator, triggered by the Varigate 8+.
Other modules, vcas, mixers etc: MI Veils, Doepfer A-132-2, A-143-2, A-134-1, A-138b, A-138p/o, Waldorf KB37, Low-Gain Submix7, Makenoise Maths and Optomix.
Today we look back at the recent show featuring Song & Dance Trio and Lithuanian sound-and-performance artist Arma Agharta at the Luggage Store Gallery in San Francisco. It was the subject of a recent episode of CatSynth TV.
I have seen the members of Song & Dance Trio, Karl Evangelista (guitar), Jordan Glenn (drums) and Cory Wright (baritone saxophone) many times before in many musical contexts, but this was the first time I saw them as a trio. As one can hear in the video, they mixed complex virtuosic avant-garde performance with familiar jazz idioms. And they made it work. There was a strong rhythmic sense throughout the set, with the musicians moving freely between a relaxed shuffle and frenetic staccato runs. The familiar jazz figures sprinkled throughout were fun, but the more experimental interludes were a palette cleanser that made the grooves stand out more strongly.
[Song & Dance Trio (Evangelista, Glenn, Wright)]
Next up was a solo performance by Arma Agharta, a Lithuanian sound-performance-artist who was kicking off the west-coast swing of his United States tour. I didn’t know quite what to expect, even after looking at his interesting setup with a mixture of sound-making objects and electronic instruments.
[Arma Agharta’s colorful electro-acoustic rig]
And then he took the stage wearing a large pointed had and colorful robe. Things started quietly but very quickly turned to a loud, frenzy of sound, movement, and vocals.
[Calm and anything-but-calm moments with Arma Agharta]
This was one of the most physically and sonically intense solo performances I have seen in a while, and the energy was nonstop for most of the duration, with just a few ebbs and pauses. An endurance test for performer and audience alike. I haven’t heard anything quite like it, and it is hard to do justice either in written or video form. The intense sounds were from many layers of electronics, including recorded sounds played at high volume along with Arma Agharta’s own powerful voice howling, bellowing, and other vocalizations.
It was interesting to see such different performances in the same show and to assemble them into a single 3-minute video. But it worked both live and recorded. We wish Arma Agharta well on his next tour (last we saw he was in Turkey) and hope to hear more from him. We, of course, will continue to follow Evangelista, Glenn, and Wright on their musical adventures here in the Bay Area.
Today we look back at the recent art and fashion show featuring the work of Serena Toxicat. I was fortunate to be a part of this show as a model, and it was featured in Episode 9 of CatSynth TV.
Serena Toxicat is a multi-disciplinary artist, working as a writer, visual artist, musician, and now a fashion designer – longtime readers may recognize her via our reviews of her band Protea. Her paintings were featured on the walls of Farley’s East in Oakland as the fashion show took place in the lobby. She also had her music, books, and cat-themed tarot cards on hand.
One sees themes that repeat throughout her work in various media. There are of course the cats – I particularly liked the painting featuring manuls or Pallas cats – and felines reminiscent of Egyptian iconography. But there are themes running through as well with the bright high-contrast colors and dreamlike arrangements of forms. The feline, color, whimsy and spiritual dimensions are all of a piece and come together in her life experience as well as her outward creativity.
Today we look back at the recent performance by Pet the Tiger invented instrument collective in Golden Gate Park. It was part of a series hosted by Dan Gottwald featuring invented-instrument performances in the tunnel near the Conservatory of Flowers. You can see and hear excerpts from the concert this CatSynth TV video.
The centerpiece of the performance was the harmonic-series gamelan, a set of instruments that employ tuning based exclusively on the harmonic series. This leads to just-intonation relationships among pitches, but not necessarily those of conventional Western twelve-tone music. The results are haunting and exquisite. This is especially true of the 5-octave metallophone demonstrated by David Samas in the video, and played by Samas and others in the concert.
There was also a large kalimba-like instrument performed primarily by Samas and Derek Drudge, and a large instrument created and played by Bart Hopkin.
In addition to the metallophones, there were various wind instruments. Peter Whitehead played an instrument that resembled a longitudinal bass flute, and whirling tubes, all of which also conformed to the harmonic series.
There was also a stringed instrument performed by Ian Saxton.
Harmonic series relationships are well known to be very pleasant to the ear, and there was an overall pleasing tone to the music, amplified by the acoustic properties of the tunnel, the lighting and the fellowship of performers and audience. In addition to the long meditative pieces, there were sections combining music with anxious dystopian poetry, and even a rendition of George Harrison’s “Within You Without You” from Sgt. Pepper’s Lonely Hearts Club Band.
Overall, it was a lovely and poignant evening, with the light show from the Conservatory of Flowers in the distance and a warm friendly atmosphere in the tunnel that mitigated the approaching chill of the night in Golden Gate Park. The series is over for the season, but we do expect to hear more of Pet the Tiger and these inventor-musicians in the near future.