The show I <3 SF (where “<3” is the the common emoticon for heart that may or may not appear properly in this print) is closing today at Driftwood Salon, but we take a little time today to look back on my visit to the opening of the show. It would have hard to not attend a show that features on the compact but diverse city we call home. It was scheduled to coincide with the 155th anniversary of the founding of the City and County of San Francisco on June 11, 1856, and features several artists’ interpretations of life in the city as a general concept but details and subject matter unique to San Francisco. There are street scenes, architectural details, references to cultural history, and some that are simply “tributes”.
The “centerpiece” of the exhibition was a large painted cardboard origami piece by Joe Spear with the show title “I <3 SF” emblazoned on the side, about where the US emblem might go on a fighter jet.
[Joe Spear’s metal origami in foreground. Rebecca Kerlin in background.]
On the wall behind the origami one can see several pieces by Rebecca Kerlin, whose works featuring the highways and other infrastructure of our region and my own neighborhood in particular have often been featured on this site. The three selections on the wall are from her “Constructions” series, with the large “Underpass Under Construction in Blue” pieces and the smaller “Underpass Under Construction in Orange” depicting the freeway approaching the Bay Bridge over 4th Street.
[Detail of Rebecca Kerlin’s Underpass Under Construction in Orange.]
Driftwood Salon is itself in an interesting location on a side street in SOMA near the Central Freeway, so it seems appropriate that Kerlin’s work has been featured in multiple shows here.
Jun Han Kim’s pieces, including the photorealistic A View of Sunset, SF #4 also take on the literal sights and neighborhoods of the city.
[Jun Han Kim]
Here we see the edge of the quieter and often grayer Sunset District from the Great Highway on the Pacific coast. It is an interesting part of the city that feels quite distant from the downtown. It was placed in the exhibition next to a very contrasting painting by Mei-Ying Dell’Aquila.
Here we see a more surreal image of the downtown financial district, with a figure who is at once the Statue of Liberty, a cartoon superhero and a fashionably dressed urban denizen crossing the street.
Two very different pieces by Greg PNUT Galinsky reference music and architecture of the city without specific locations.
[Greg PNUT Galinsky]
This first piece suggests jazz and brings to mind the frequent jam sessions around the city – but the image also has a very iconic and industrial quality with its sparse clean lines. The clean black lines are used quite differently in this piece which is painted on glass. The reference to the city here is a bit less clear, though the use of weathered wood in the frame reflects the older architecture in the city and a recent trend in local art.
[Greg PNUT Galinsky]
The direct reference in these pieces by Lady Millard are also a bit more obscure, except for the title “Fog City”.
But they do pay homage to street art, and to the cartoon-like elements that seem be part of international urban art and culture. Such images could be at home in a gallery in large cities in Asia as there are in San Francisco, and perhaps represent the city’s place in a larger “Pacific urban” cultural landscape.
Indeed, part of what made this exhibition interesting is that the collection of different views on the city reflect my own interests in infrastrcture, urban landscape, music, fashion, etc – but each taken in more specialized ways by the individual artists.
The exhibition will remain on display for today (July 9) at Driftwood Salon (39 Isis Street) with a closing reception this evening.