Shani Aviram, Matt Ingalls, Benjamin Ethan Tinker. Luggage Store Gallery

Today we look at last Thursday’s Outsound show at the Luggage Store Gallery, which featured music by Shani Aviram, Benjamin Ethan Tinker, and Matt Ingalls.

As I have mentioned in previous articles, the acoustics at the Luggage Store Gallery can be quite challenging. One of the things that made this performance notable is that several of the performers made creative use of the acoustics, working with it rather than against it. This was true of the initial piece for solo snare drum by Shani Aviram, where the staccato notes of the drum reverberated around the room in a manner that was quite dynamic. There were some exceptionally loud moments, but I liked the overall texture. The set also featured compositions by Aviram for cello and electronics (performed by Devon Thrumston), and computer and Arp 2600 (performed by the composer and Benjamin Ethan Tinker, respectively).

The best use of the room acoustics was by Matt Ingalls, who performed a 30-minute continuous tour de force of energetic microtonal improvisation on clarinet. His movement affected the diffusion of the sound from the instrument and off the walls of the room, adding more microtonal and timbral variation. It is difficult to describe the experience fully, but it was a very impressive performance. I managed to capture a few seconds on my iPhone, which you can see below.

In the subsequent break between sets, I went up to see the analog electronics. In addition to the Arp 2600, there was also an analog Echoplex that appeared to be in relatively good condition.

[Click images to enlarge.]

In the final set, Ingalls joined Shani Aviram and Benjamin Ethan Tinker for a group improvisation. Aviram performed using a banjo with electronic pickup, which she bowed. The resulting long tones were used as input into the 2600 and Echoplex for a complex texture of sounds with long tones generated from the banjo and overlays with loops and echoes. Ingalls was once again on clarinet, which he matched timbrally to the electro-acoustic sounds. Once again, the acoustics of the room worked with the longer and slower tones of improvisation and the electronic echo effects.

[Click image to enlarge]

It was a good night of music overall, and one I almost missed due to having just returned from an intense out-of-town trip. I am glad I made the effort to be there.