Last week, Reconnaissance Fly returned the Luggage Store Gallery, with selections from our upcoming album Flower Futures, featuring songs based on spoetry (or spam poetry). We were joined on stage by the piñatas which I reported on at a previous show, including the manatee and the “pyramonster” that appears on the US one dollar bill.
We have played this music often enough now to feel confident, even routine, with what is still a challenging set. As always, we opened with Small Chinese Gong and wound our way through prog rock, jazz and more experimental styles to the closing catchy riffs of An Empty Rectangle.
[Photo by Tom Djll]
The acoustics of the Luggage Store Gallery once again presented a huge challenge for our performance, which requires tight rhythmic integration between players. But I thought we did a great set despite the challenge, including the syncopated unisons in sanse is crede nza and the abstract event-driven Oh! Goldfinch Cage.
We were followed on the program by KREation (Kevin Robinson Ensemble). It was interesting that their line-up for the evening was very similar to ours: two wind payers, keyboard, bass and drums. Neither group had a guitarist. But the music was quite different. Compared to Reconnaissance Fly’s structured set of composed songs, KREation’s performance was free-flowing, shifting between different levels of energy and texture in a continuous whole.
They started off with the sounds of key clicks, scratches and other soft percussive sounds in a cloud of staccato noise, before shifting in a more tonal free-jazz sound. The rhythms, harmonies and textures shifted every few minutes, with a few instrument changes along the way, and different members of the band taking turns with abstract vocals.
It was a strong performance that kept my attention for the entire duration of the set, and I am glad we had the opportunity to share the bill with them.