In addition to his composition and playing, he was an accomplished band leader, bringing together disparate performers to play complex music that remained rhythmically tight. There was the Ornette Coleman Quartet that cemented his reputation as an experimenter, and later his band Prime Time, which took on electronic elements and fusion idioms while retaining oblique rhythms and counterpoints.
I also find myself identifying the descriptions of him as soft-spoken and taking a deeply intellectual (perhaps bafflingly so) approach to describing music. Many jazz greats are sons and daughters of the South, and Ornate Coleman was no exception – but it is interesting to see him and others transcend that heritage to something of a different time and place, or perhaps no particular place at all. We should follow his example and keep jazz an alive, evolving, and often challenging music.