That Moog gig bag does look like a comfortable lounging spot. Hopefully, Sam Sam does not discover my Sub Phatty gig bag 😸
You can see Eevo Lute’s other CatSynth-pic contributions here.
Recently, John Lee, the creator of bayimproviser.com donated a portion of his extensive record collection to Outsound. And our friends at VAMP are helping us sell them to fund our continuing mission of promoting new music in the Bay Area and beyond. To launch this effort, Outsound held a benefit concert at VAMP on December 1.
I performed a solo set with my trusty Nord Stage EX, modular synth, and Casio SK-1.
As with most of my current solo performances, I try to combine both idiomatic jazz and funk elements with more experimental electronics. I opened with White Wine (instrumental) with the extended solo section morphing into a more free-form electro-acoustic improvisation that also included the garrahand drum. It moved from sections of disco and bossa nova rhythms to noise to complex harmonies from the drum and Make Noise Echopon module. It was a fun set with an appreciative audience of both attendees and record-store patrons.
After my set, Tri-Cornered Tent Show took stage. Anchored by bandleader Philip Everett on clarinet and electronics and Ray Schaeffer on bass, the band explored a variety of sounds and styles from noisy electronics and percussion to R&B grooves to psychedelic serenades featuring Valentina O on vocals. Anthony Flores rounded out the band on drums.
It was interesting to see how both sets explored the intersection of avant-garde electronic and acoustic sounds with more familiar idioms. Soul, funk, and R&B were present in both sets, but then we each veered off in different directions. Between us, we might have covered many of the genres in VAMP’s record bins!
It was a fine night of music and fellowship, and it’s great to see an independent (and idiosyncratic) store like VAMP flourishing in downtown Oakland. You can find out more about them here. And please visit Outsound’s website to find out about upcoming programs and how you can help support our work bring new music to our community.
Szarik that cat returns in this video from From KATOD’s upcoming album. via our Facebook page.
HQ audio: https://katodmusic.bandcamp.com/track/haunted-single
Track from new, upcoming album (2018)
– Yamaha DX7
– Ambika synth
– electric guitar Jackson DK2S
– drums played on pads and written
– Atari 1040ST (as MIDI sequencer)
Written & directed by Mariusz Wasilewski
Girl #1 – Daria Cieniak
Girl #2 – Iwona Szylin
Boy #1 – Konrad Domaszewski
Boy #2 – Jakub Gryzowski
Cyborg cat #1 – Kamila Górka-Czarska
Cyborg cat #2 – Ilona Baran
Cat – Szarik cat
Camera operators: Stanisław Patejko, Mariusz Wasilewski, Marcin Czerwienny, Tomasz Kowal, Artur Tymański
Edited by Mariusz Wasilewski
Music performed by KATOD(Mariusz Wasilewski) – “Haunted” track from upcoming album (2018)
Make up & stylist, Catering & drinks – Sylvia Katarzyna, Kamila Górka-Czarska
Mateusz Raginia (Fiat 125p owner), Sebastian Tawgien (VW Golf 1 owner), Krzysztof Grudziński (Taxi driver & help)
Produced by Mariusz Wasilewski
There is definitely a 1980s theme in the aesthetic as well as the instrumentation 😺
Just a cat in the studio with a large modular synthesizer collection. Identification of modules left as an exercise to the reader 😺
From Rik Simpson on Instagram.
Today we have a cat playing the new Moog Subsequent 37 synthesizer, the follow-up to their popular Sub 37 model.
From rokkafortestudio on Instragram.
Via @retrosynthads on Twitter.
Are they beaming cats up into space or beaming them down?
Perplexing question indeed 😸
Picasso the cat means business as he poses with a Realistic MG-1 synthesizer. Submitted by James Bahleda via our Facebook page.
The MG-1 was built by Moog for Realistic (Radio Shack), and was designed and marketed for home/casual use. It’s no Model D, but it does still have Moog technology and sound. It remains popular with some collectors and artists. You can read more about it here.