From Andor Polgar on YouTube, via matrixsynth. Rhodes, Make Noise Morphagene and cat, what is not to love?
Things used in the video: vegan sausage for taming the cat (that’s her favorite), Make Noise Morphagene eurorack module, Rhodes Mark I electric piano, Expert Sleepers Disting mk4 for the reverb effect.
It may be time to experiment again here at HQ with the Nord and some Make Noise modules…
Our latest CatSynth TV documents yesterday’s edition of inWooble, a monthly synthesizer meetup and jam session at LinkedIn’s offices in downtown San Francisco. I had the opportunity to join this time, and had a good time performing with everyone – I particularly enjoyed the time where we were rhythmically together or forming complex contrapuntal textures across the six modular-synthesizer setups. And the views of downtown SF out the window were pretty cool, too.
Hosts: Franck Martin Juan Rosales Bryan Levay
Participants: M.0 (Maurice Jackson) Amanda Chaudhary Chris Otchy
Sam Sam has decided that the space under the studio console is an excellent napping spot.
This is where the Nord Stage lives when not gigging, and my main Pro Tools HDX station for music recording and CatSynth TV post-production. I am loath to move her when I find her there, so I usually just wait a little bit. After all, even napping cats rarely stay in one place for long.
If the studio looks a bit messy and chaotic, that is because it is. Between gigging, travel, and probably too much gear, it has been hard to keep in order during the second half of the year. The latest dismantling was for my recent performance at VAMP, which came before I had replaced everything from my New York trip. The Nord keyboard usually makes it back in place quickly, sometimes it takes the ever-expanding collection of synths a little while longer. Hopefully in the next few quieter weeks will get it organized and better than ever…
Recently, John Lee, the creator of bayimproviser.com donated a portion of his extensive record collection to Outsound. And our friends at VAMP are helping us sell them to fund our continuing mission of promoting new music in the Bay Area and beyond. To launch this effort, Outsound held a benefit concert at VAMP on December 1.
I performed a solo set with my trusty Nord Stage EX, modular synth, and Casio SK-1.
As with most of my current solo performances, I try to combine both idiomatic jazz and funk elements with more experimental electronics. I opened with White Wine (instrumental) with the extended solo section morphing into a more free-form electro-acoustic improvisation that also included the garrahand drum. It moved from sections of disco and bossa nova rhythms to noise to complex harmonies from the drum and Make Noise Echopon module. It was a fun set with an appreciative audience of both attendees and record-store patrons.
After my set, Tri-Cornered Tent Show took stage. Anchored by bandleader Philip Everett on clarinet and electronics and Ray Schaeffer on bass, the band explored a variety of sounds and styles from noisy electronics and percussion to R&B grooves to psychedelic serenades featuring Valentina O on vocals. Anthony Flores rounded out the band on drums.
It was interesting to see how both sets explored the intersection of avant-garde electronic and acoustic sounds with more familiar idioms. Soul, funk, and R&B were present in both sets, but then we each veered off in different directions. Between us, we might have covered many of the genres in VAMP’s record bins!
It was a fine night of music and fellowship, and it’s great to see an independent (and idiosyncratic) store like VAMP flourishing in downtown Oakland. You can find out more about them here. And please visit Outsound’s website to find out about upcoming programs and how you can help support our work bring new music to our community.