From Squarp Instruments on YouTube, via matrixsynth.
A rare vacant lot with graffiti and older facades amidst the booming construction in Long Island City, Queens, New York. How long will it last?
It’s been a year since Luna passed away. And so today we mark her yahrzeit, or anniversary of death. Over the past year, the grieving process has continued in its complicated and chaotic pattern, sometimes raw and at the surface, sometimes just a fond memory now tinged with melancholy. Perhaps if one plots the grief over the course of a year. it will trend downwards, but that doesn’t mean there aren’t moments of deep loss and sadness.
We began observing the yahrzeit at sundown yesterday. After repeated heatwaves and the worst fires and air quality that I have experienced in California, the skies and air suddenly became chilly, crisp, and damp, signaling the real arrival of autumn. The palpable chill in the air brought memories of Luna’s last week back into focus and set the tone for the evening. We switched on the memorial candle – I only use electrical candles for this purpose. A glass or two of red wine, some comfort food, and David Bowie on the stereo. The songs “Dollar Days” from Blackstar and “Prettiest Star” from Alladin Sane are particularly tied to Luna’s passing, along with the chill.
Sam Sam seemed to sense my state – exacerbated by an unusually stressful workday on top of everything else – and provided a lot of extra comfort last night, breaking her night-time wanderings around HQ to come and lay on my chest and purr. She does this most days, but not as long or as deep. Indeed, her presence has been a great source of love and comfort as I continue to move forward. I will always miss Luna, but my current and future cats need me in the present.
From Space Cat Audio Technologies on YouTube, via matrixsynth.
New Analogue Dubsta Delay & Dub-Synth.
TB-303 TR-606 recorded direct to speaker microphone through a Sony SS-CNP700 that is connected from the Dub-Synth headphone output.
Today we look back at last week’s show at Canessa Gallery in San Francisco, featuring Elliott Sharp, Tania Chen + Wobbly, and Euphotic. This show was the subject of CatSynth TV Episode 8, and you can see and hear a bit of each set.
We were quite pleased to see Elliott Sharp. We saw him back in the 1990s, but it’s been a while since he made it to the Bay Area.
He has a unique and idiosyncratic sound, with fast runs, harmonics, and extended techniques, along with electronics. The electronics, which appeared to include some looping, sampling, and delay, did not overpower his guitar playing, and the individual gestures, from frenetic fingerpicking to expressive scratches, came through strongly. Although his style is unusual, it is still quite melodic and harmonic, something that comes out particularly in a solo-performance setting.
The evening opened with Euphotic, a trio project featuring Tom Djll (electronics, trumpet), Cheryl Leonard (instruments from natural found objects) and Bryan Day (invented instruments).
The sound was subtle and detailed, with a lot of short sounds clustering like schools of fish. Djll’s electronics bridged the space between Cheryl Leonard’s organic sounds and Bryan Day’s more chiseled electro-acoustic creations. There was also a quality in Day’s performance that foreshadowed Elliott Sharp’s sound and style later in the evening.
Euphotic was followed by a duo featuring Tania Chen on electronics, voice and found objects, with Wobbly (aka Jon Leidecker) on electronics. He had an array of iPads linked together.
The performance centered around “Feasibility Study”, an episode of the television show Outer Limits, slowed down beyond recognition. Chen’s vocals and found-object performance featured material and ideas from the episode, including chomping on biscuits and pop rocks to represent the rock-like aliens in the video. She also performed a melodic section on an iPad, which complemented Leidecker’s complex electronic processing. His sounds were slower and more undulating, providing an eerie setting for the overall performance.
We had a great time at this show, as did the rest of the audience that filled Canessa Gallery to capacity. We look forward to more interesting music from these artists and from this venue. And thanks to Bryan Day for continuing to host this series.
Ragamuffin cat enjoying a little time at the piano. She looks ready to sing. 😺 🎶
This picture comes to us from Flora Davis, a local artist here in San Francisco whose work hangs on the walls of CatSynth HQ (and whose jewelry occasionally adorns my ears). Read more about her and the piece we commissioned from her in these articles.
Karl Lee Avery’s faithful studio cats return. (Submitted via Facebook.)
The desk passes the fatcat QC
Rosie don’t give a 🎺🔥😵🙀
Identification of the synths left as an exercise to the reader.
Today we look back at last weekend’s APAture Book Arts Showcase, hosted by Kearny Street Workshop. You can see a bit of the event, and three of the artists, in our companion video on CatSynth TV.
In the video, we see a reading by featured artist Innosanto Nagara of his recent book A Night at the Planetarium, which introduces readers to the culture and history of Indonesia, and one particularly intense night under Indonesian military rule (while “the general” is clearly Suharto, he is not mentioned by name). It is partly a memoir of the author at a young age and relates the story of a crackdown on his father’s dissident plays. Nagara is although the author of the award-winning and quite delightful A is for Activist (we love the black cat on the cover).
“Book Arts” covers quite a lot of territory in terms of discipline and media. There are formal, published books like Nagara’s, but also other print media like self-published zines. Mixed Rice Zines is the ongoing project of Jess Wu-O, and features voices that are often underrepresented, such as queer voices in the Asian American and mixed-race communities. One edition Queer Azn Musicians particularly spoke to me as a queer musician of South Asian descent.
The zines are self-published, as were many of the other pieces featured in the show. Bridge Ho presented these zines featuring her photography along with words by Michelle Velasquez-Potts. The published pieces are works of art, showing semi-abstract imagery on various printed materials including vellum.
Overall, however, most of the work in the show centered around illustration. Minnie Phan presented a variety of printed illustrations, including on cards, booklets, and her comic book They Call Us Viet Kieu, written after Phan visited Vietnam in 2013. You can hear her talk a bit about the experience in our CatSynth TV episode.
Similarly, we saw a variety of illustrated printed material from Cheez Hayama including these cat cards – each one is hand drawn and slightly different – and California activity book featuring our state bird.
More traditional “comic books” were on display as well, including the Time Fiddler by Ellis Kim. The series, told as detailed and well drawn graphic novels, follows a young woman on an adventure through time travel, space, and romance. And of course, there is a cat.
And with books and graphic novels, we come full circle with This Asian American Life by Katie Quan, featuring the everyday adventures of an Asian-American protagonist. Parts of autobiographical from Quan’s experiences, but also includes shared experiences from friends as well as entirely imagined scenes.
It was a well-attended show with many artists presenting – and selling – their work. We regret not being able to visit or include everyone. Congratulations to KSW and everyone involved on a great event.
Smoke and haze in downtown San Francisco, looking up Ellis Street from a building on Market. You can see what this view looks like under better skies here.
After a couple of relatively good days, the air quality once again took a turn for the worse. As bad as it is, it’s nothing compared to what our friends to the north have gone through with the terrible fires, and our thoughts are with them as they recover.