NAMM 2017 Apocrypha and Final Thoughts

In this article, we go over a few remaining items from NAMM, and share some final thoughts as well.

The DATA module from Mordax takes the trend of built-in displays to another level. The large color screen displays a variety of functions, including oscilloscope, tuner , waveform generator and clock. It also has quite a few utility signal functions. It seems like quite the useful item for a medium or large modular system. Plus it looks great!

It’s a common problem with modular synthesizer systems to end up with 2hp empty and nothing to fill it with, except maybe a branded plate. 2hp quite literally fills this niche with a large selection of functional modules exactly 2hp wide.

We could all use extra multiples, or another envelope generator, or VCA. But their 2hp offerings include oscillators and filters. We could see these in various cases to get some handy functionality when needed.

Delptronics has made quite a few modules for percussion synthesis as well as for complex triggering of other modules. Their product line has grown; and we were particularly curious about the new spring module an its electro-acoustic possibilities.

We are always curious to see what 4ms has to offer, as the Spectral Multiband Filter has become one of our favorite modules for a variety of musical purposes. Their new offerings this year included a sampler module and tappable delay, which are shown in the upper right of the following photo.

There was of course more at the modular super booth and in the neighboring booths beyond what we have been able to cover this year. It will be inevitable that some products and manufactures don’t get mentioned in the blog, though we do have more on our Instagram feed during the show. We will have to figure out if there are any logistical changes we might want to try next year in order to see more while still remaining authentic and having the fun time at NAMM that we always do.


The trip home, despite the pouring rain and flooding in the LA Basin, ultimately turned out to be a pleasant one. I suppose I had a bit of a glow from the show, and full of ideas on how to move forward musically and personally in the challenging times ahead.

Even with the literal rainstorms outside and the dark pall cast by the political situation, inside the convention center we were all able to be ourselves and follow our passions for music and music technology. That doesn’t mean that outside reality didn’t intrude. It was impossible not to despair a bit on inauguration day; and by contrast Saturday with the Women’s Marches gave a bit of optimism. Mostly, I just kept doing what I came to NAMM to do. We hope you have enjoyed following our coverage, and we’ll be back doing it again next year barring some world-changing catastrophe (which unfortunately could happen).

Booth 5000 (Modular Synths) at NAMM, Part 1

Our friends in the modular-synth world are moving up at NAMM, with a collective booth at the front of the show right near giants like Moog and Dave Smith Instruments.  It’s a bit much to take in all at once, as modules and module-makers continue to proliferate.  This will be the first of a few articles covering just this booth.

One new set of modules, and perhaps the oddest, comes from BASTL Instruments.

BASTL Instruments

In addition to the wood texture, there are modules that can control motors, solenoids and other outboard electronic elements.  It does bring to mind some ideas for sound installations and live performances.  You can hear a bit of these modules in this video.

Soulby presented Eurorack modular versions of 8-bit processing modules more messing with voice and other input signals.

Soulby

Delays and looping seem to be a thing this year. 4ms had a new looper and delay module whose novel feature is audio rate control of the functions for unusual flange delays and other continuous effects.

4ms

While the 4ms Spectral Multiband Resonator is not new for this year, it is still one I am excited about.

QuBit Electronix has a new sequencer module with a circular pattern; and a new polyphonic oscillator with individual controls and VCAs. You can see and hear both of them in this short video.

@qubitelectronix polyphonic oscillator in action! #namm

A video posted by CatSynth / Amanda C (@catsynth) on

Synthrotek is focusing on full systems, including a MIDI-CV converter that supports bi-directional clocks. One can use heavily modulated CV clocks to control time-based elements on MIDI synthesizers with this feature.

Synthrotek

And KOMA Elektronik returned with their massive sequencer, looking more refined. And it has a lot of lights!

KOMA Electronik Sequencer

More from this both and beyond in coming articles.

Wordless Wednesday: Modular Synthesizer

Modular Synthesizer

CatSynth video: shadow cat (modular synth)

From Ebotronix on YouTube, via matrixsynth. Quite the modular synth collection in this recording, plus one cool cat.

4ms Peg, QCD /Expander² ,QPLFO, RCD, VCA Matrix
Analogue Systems RS 100², RS110²², RS 360²
Bananalogue Serge VCS
Cyndustries Zeroscillator²
Doepfer R2m, A101-2, A114, A118,A134²², A143-2,A151²²
A152, A175²²,A185-2, A138abc, A192-1( 4Vox midi CC )
Flame 4 Vox ,Chord Machine², FX 16, Talking Synth Module²
flight of harmony choices
Make Noise Brains ,PP²,Maths²,Moddemix²²,QMMG,
Optomix, Wogglebug²
Malekko Anti²², Unkle²²,Jag
Moog FreqBox²², MP201
Roland SVC-350 Vocoder, System 104 Sequencer
SSL Modulation Orgy
Tip Top Audio Z8000 manual voltage source
Toppobrillo Quantimator²(min pentatonic),Sportmodulator,TWF
Logic masterclock to Kenton Pro 2000
Rocktron Rack Interface²
FX : Alesis 3630,Philtre,Boss VF-1,Lexicon PCM 80
Line 6 Echopro ,Red Federation BPM FX Pro
TC M one XL, M3000
mackie the mixer²
drums Ultrabeat
vid # 1284

NAMM: KOMA Eletronik, QuBit, 4ms

Today we continue with the panoply of synth module manufactures that we say at this year’s NAMM show.

One instrument that garnered quite a bit of attention (and deservedly) so was the new Komplex Sequencer from our friends at KOMA Eletronik.

KOMA Komplex Sequencer

First of all, it is sleek and beautiful. But it is also quite powerful. It features four independent 16-step sequencers supporting both MIDI and CV/Gate. The sequencers can each be set to play in one of five modes (forward, backward, ping-pong, ping-pong reversed, random); and CV can be quantized to various Western scales (for those who need such things in their music). The size of control and combined support for MIDI and CV would be a lot in itself. I am definitely looking forward to seeing this ship in the near future.

QuBit

Qu-bit Electronix presented some modules that are also going to be our “want” list. The Nubulae may not be new for 2015, but it seems extremely useful compositionally. It reads and renders audio files from a flash drive, but with CV-based control for speed, pitch, and granular synthesis. The NanoRand is a tiny module that packs four different randomization functions along with a bright multi-color LED (it’s that big purple light in the photo above). Switching among the four functions via a sequencer creates some very intriguing musical patterns.

Finally, we at CatSynth were quite interested in the new Spectral Filter from 4ms. It is a spectral multi band resonant filter that can sculpt and amplify sections of a signal to create harmonic (or inharmonic) structures.

4ms

A unique feature was the circular control that allows one to “rotate” around the spectrum. I found myself comparing this to the newly released additive synthesis module from Make Noise (you can read about it here. They are both spectral manipulators and can some similar in particular moments, though they approach and instrument architecture is quite different.

CatSynth video: do re minor

A great demo track from Ebotronix on YouTube. Via matrixsynth. It includes an impressive array of synth gear. And watch for the cat in the corner 🙂

4ms Peg, QCD / Expander, RCD, VCA Matrix
Analogue Systems RS100²,RS110²²,RS 170,RS360²,RS500e²
Arp Odyssey 2821 white noise
Bananalogue VCS
Cyndustries Zero Oscillator
Doepfer R2m, A118, A134²², A143-2,A148,
A 149-1, A151²²,A160/161, A175²²,A185-2, A 138c
Flame Chord Machine²,Talking Synth Module²
Grendel Formant Filter²
flight of harmony choices
Make Noise PP, Maths²,Moddemix²²,Optomix,QMMG,René, Woglebug²
Malekko Anti Oscillator²² Uncle³,Jag
Moog Freqbox²²,MP201
Oberheim Sem
Sherman Filterbank 2
Simmons Clap Trap
SSL Modulation Orgy
Tip Top Audio Z8000 manual voltage source
Toppobrillo Quantimator,Sportmodulator,TWF²
Logic masterclock to Kenton Pro 2000² , QCD,Peg, RCD
FX :Boss VF1,Lexicon MX 400,PCM 80, Line6 echopro,TC M one XL
mackie the mixer³
kick by RS110 Maths QMMG

CatSynth video: Make Noise MMG Jam with Kitten

From grillobeats on YouTube via matrixsynth.

“Now that I have a kitten, it’s become basically impossible to jam on my modular synthesizer. featuring mfb triple osc, peg, doepfer 132, make noise rene and my new mn MMG”

Lots of familiar modules in this one. The kitten seems particularly interested in the Make Noise Rene. I actually haven’t tried out the MMG yet but now I’m curious.

CatSynth pic: Cat – Synth – Space (Eurorack Modular)

By musicalgeometry on flickr.

This cat has quite the collection in this Eurorack modular system. I see several modules that I have as well, including the Make Noise Maths, and 4ms Pingable Envlope Generator. I also have the outboard version of the Kenton MIDI->CV converter.

CatSynth video: Donna 6/8

From Ebotronix on YouTube, via matrixsynth.

“4ms Peg V4 RCD
Analogue Systems RS 100 RS 110 RS 360
ARP Odyssey 2821 Noise
Doepfer A 143-9 A 134 pan by Moog MP 201
Flame Chord Machine Talking Synth Modul
Make Noise Brains PP Maths Moddenix Optomix QMMG Wogglebug
Malekko 4x Oscillator 4x Anti Oscillator
Moog 2xFreqBox
Oberheim Sem
Roland System 104 Sequencer
Toppobrillo Quantimator Sportmodulator TWF
Master Clock Logic via Kenton Pro 2000II and 2x 4ms RCD.
Drum Logic Ultrabeat 12/8 ohm force Compost”