“Another one of my restored space echo’s now for sale on ebay.
Ive got an iPad with the app ‘Fugue Machine’ playing through one input and live electric violin on another. Just a quick jam showing that this space echo is working as it should.
My cat loves the space echo… unfortunately she cannot be left alone with it because she’ll chew up the tapes!
ROLAND Re-201 Space Echo $899USD
Its just been cleaned, serviced and checked. Cosmetically very good condition!
Internally and externally cleaned. Pots cleaned and lubricated with contact cleaner.
Serial number: 653577
PLUS! 1 tape installed and 5 spare tape loops!!! (new loops)
Pinch roller and tape heads are in excellent condition. Sounds great , with minimum wow and flutter.
Very nice unit!
Full service has been done on this unit including polished tape heads.
youtube demo coming soon…
$145US SAL economy Air (approx 1-2weeks) .
This item is 100v 50/60hz you may need a power converter depending on your country.”
We at CatSynth are excited to announce the release of our newest app Highway☆ for iPhone and iPad, available on the App Store!
This app comes out of long-term interest in highways and road travel, something we explore periodically on this site. It’s a sort of “Pokemon Go” for travelers and road geeks, where you can discovery and collect highways as you travel.
It also has features for exploring new places on your device, and finding more information about the roads. You can also connect with other users and compete for the top scores.
It is completely free, so please download and have fun, especially if you are planning to hit the road this summer. And please let us know what you think or if you have ideas for new features 😺
And we are currently busy at work on an Android version, which we hope to share soon.
We have a new version of CatSynth: The App! available on the Apple App Store. This is a tremendous update. The best version of CatSynth: The App! ever. We have rethought the user experience while preserving the distinctive style. It also happens to match Sam Sam’s markings quite nicely.
It is smoother and simpler to browse and read articles on your mobile device. And for the built-in Mystery Synths, we have added MIDI input support!
You can play the synths with an external MIDI controller or sequencer using either the network or (on iPads) a class-compliant MIDI USB device. We will have some video demos of this soon.
If you have an iOS device, please do try out the app and let us know what you think! 😺
We’re happy to release the first major update for the iPhone/iPad version of CatSynth: The App!. 1.4.142 (yes, it’s the square root of 2) has the following new features and improvements:
- New Mystery Synth #3!
- Facebook or email login for comments, favorites and more.
- Numerous bug fixes and under-the-hood improvements
It’s that last one that really took the longest: the under-the-hood improvements using a completely rebuilt backend. We might have more to say about the technology that went into it (it’s pretty cool from the point of view of a computer-science geek), but for now we simply ask that if you have an iPhone or iPad, please download and enjoy the new app.
And yes, 1.4.142 for Android is coming soon, too!
The concert series of the Pitta of the Mind, my duo with Maw Shein Win got things going with a set of poetry and electronic music on the themes of abstract art and cinematic distance. Our color theme for the evening was red and black.
[Photo by Annabelle Port.]
It was our longest set to date, but also our best so far, with a variety of sounds to match the words and tight transitions between poems. It was also the most complex technically, with the Prophet 12, analog modular, Moog Theremini, iPad, and Nord Stage EX all running at once.
[Photo by Annabelle Port.]
We performed confidently and playfully and we got a great audience response. And the color theme went well with the blue set and lighting courtesy Travin McKain.
We were followed by first-ever performance by Ruth Weiss, one of the original Beat poets, with master analog synthesizer artist Doug Lynner as well as Hal Davis on log.
Log may seem like an odd instrumentation, but Davis made it work well with Ruth Weiss’ recitations, and Lynner managed to create sounds on the Mystery Serge modular that sometimes mimicked the percussive resonance of the log and at other times complimented it with more lush tones. He was also able to hit loud or noisy moments in between the words. Ruth Weiss was sharp and witty in her readings, moving from her work in the 1950s and 1960s to more recent compositions. Although the trio had only met once before, they seemed very comfortable performing together and it made for a fun and exciting set. This was something that will likely never be repeated, so we were privileged to have witnessed it.
The final set brought together Zachary James Watkins on electronics and Marshall Trammell on percussion with poet and voice artist Amber McZeal.
The music began slowly, with calm but textured percussion and electronic sounds combined with McZeal on didgeridoo. The drone built up to more intense textures, with noise and thick electronics, Trammell’s intense drumming, and McZeal’s voice, which was at times beautiful and melodic singing, and other times dramatic and confident speech. The text for this set was very sparse compared to the previous sets, more like a third instrument than poetry set to music.
Overall, this was a great start to the Summit concerts with three strong performances (I admit I am biased about the first one). We had a great turnout as well, filling all the seats in the concert hall at the Community Music Center. It set a high bar for the next nights.
Today we have a gorgeous picture featuring a cat and the Animoog iPad app. Submitted by our friends at Moog Music, Inc., via Twitter.
Once again, iPad docs were a popular offering at NAMM. Perhaps the most unusual and interesting was from Miselu, a small San Francisco-based company. The C.24 acts as a hard-shell case for a standard-size iPad, but opens up into a dock with a two-octave keyboard and other controls.
The keys, which feel quite different from standard keyboard/synth keys, are magnetic rather than mechanical, and include aftertouch. The connection to the iPad is via bluetooth, bypassing the issue of Apple’s changing the port shapes. And it includes a space for expansion controllers above the keyboard. This is an intriguing device, though it is not yet available.
The iTrack from Focusright is perhaps more conventional in the world of iPad docks. But what makes it different is that can support both iPad Minis and full-sized iPads.
It also includes audio support based on Focusrite audio technology and with mic and line level I/O. MIDI is supported via USB.
Both of these are interesting devices, it depends on ones need for portability and MIDI keyboard versus audio support.
[click image to enlarge]
Once again, it’s time for our traditional end-of-the-year image at CatSynth. The past couple of years have all been good, rich, full, and sometimes complicated. But 2013 has been particularly significant, certainly one that I will long remember. As the title says, it has been a transformational time on multiple dimensions for me, indeed it has touched almost every aspect of my being. There will be more to say on that in the coming days. Music and art have been going very well, too, and one of the main challenges of this coming year will be to build on the successes of this past year but in a more directed way. If that sounds vague, it’s because I haven’t quite figured it out yet.
For Luna, things pretty much are the way the always are. Such is the life of a contented house cat. And we wouldn’t have it any other way.
Thanks to everyone who reads and supports this project, whether here at the blog, on Facebook, or through the many personal friendships that grown from here. You are all what makes this work worthwhile!
Today we look back at the November 26 Ambient-Chaos night at Spectrum in New York. I was happy to once again perform there, and hear some of what the local experimental-music scene has to offer.
The performance itself, the New York debut of my feminine persona, went quite well as was very well received. It was anchored by rhythmic elements on the Dave Smith Evolver, overlaid with iPad synths, the garrahand drum, sketch box, and a miniature subset of my analog modular system.
[Photo by Painter Jung Nam Lee at Spectrum Manhattan, New York Nov 26, 2013]
Performing at Spectrum is always a great experience, sonically as well as visually. Lighting and shading was part of the design of my set and worked perfectly with the ever changing light patterns in the space. I was also happy with the narrative structure within the music. You can see and hear the full set in the following video:
I was preceded on the program by Schuyler Tsuda, who performed a set featuring his sonic sculptures. In a space lit only by candles on stage, he struck, bowed and scraped a variety of sonic objects. There were long ambient metallic sounds punctuated by shorter percussive events. The overall effect was eerie and sometimes a bit anxious, but also immersive and inviting. It is difficult to capture in a still photograph, so here is a video clip:
The third set featured John Dunlap on guitar and vocals as part of a duo that also included saxophone and electronics.
Their playing was loud and frenetic, and quite a contrast to both my set and Tsuda’s. Dunlap also incorporated throat singing into his performance.
[Photo by Painter Jung Nam Lee at Spectrum Manhattan, New York Nov 26, 2013]
The final set brought together the RMA Trio along with a guest vocalist/actor to read excerpts from an upcoming play.
The text was in German, and if I understood correctly (which is doubtful) it was based on Hamlet. There was a variety in the instrumental pieces, including both percussive and harmonic piano, drums and guitar effects.
Overall, it was a great show, and a decent turnout considering that it took place in the middle of a nasty rainstorm. Thanks as always to Robert L. Pepper (PAS) for hosting this series, and to Glenn Cornett for making Spectrum a destination for musicians and sound artists in New York.
During yesterday’s rainy morning, Luna sat with me as I listened to the final master for Reconnaissance Fly’s new album. I snapped this close-up with the iPad. She was so calm and poised. And she did listen to the music. I think her favorite track was Oh Goldfinch Cage, not just because of the subject matter, but because its timbral texture is quite different from anything else on the album, with more isolated percussion and sound effects. Lots of things to perk up both cat and human ears.