Submitted by Jeff Donovick via our facebook page.
Another from our friend vlern, via our Facebook page.
From AdamAtom on flickr.
From Jeff Donovick via our Facebook page.
The photo features the cat Otava sitting on the command chair in front of a Roland A80 keyboard controller. The controller is connected to Native Instruments Reaktor with RAZOR and SKANNER synths.
Another picture of Video the cat relaxing on the Wurlitzer 200e electric piano. Submitted by The Wiggly Tendrils via our Facebook page.
“Video” the Cat takes a stroll on a Wurlitzer 200e electric piano. Submitted by The Wiggly Tendrils via our facebook page.
One may argue that a Wurlitzer electric piano isn’t a “synthesizer” per se. But electromechanical pianos (Wurlitzer and Rhodes) are among my favorite instruments and feline pictures with them are always welcome here!
Me too. I bought this one in Oshkosh Wisconsin years ago at the music store that time forgot. The guy was renting them out to piano students who didn’t have pianos at home. (their original purpose) I eventually talked him into selling me one. I love it. I also briefly had a Yamaha CP-70 but had to sell it when I moved from Philly to Berkeley.
I have to admit I was a bit dejected at first when I started my systematic wandering of NAMM Hall A. A lot of solid recording and computer gear, but one can only feign so much interest in one soft synth and digital mixer or latest incarnation of a popular digital workstation. My mood lightened when I came to the Waldorf Zarnenbourg.
Yes, it is just another digital modeling synth, albeit in a pretty package reminiscent of a Rhodes suitcase piano. But it was very playable, and immediately left behind the initial overstimulation and monotony by firing up the Wurlitzer electric-piano model and playing jazz/blues/funk riffs for a few minutes. In some ways it was even more convincing than my workhorse Nord Stage (although that remains an excellent electric-piano model, too). The electric-pianos were physical modeling synths, while the acoustic piano was sample-based. The effect sections are also more versatile, in particular the auto-wah. The Blofeld was connected to the Zarenbourg’s audio input so the instruments were mixed together in the piano’s built-in speakers for a fun combination of classic 70s riffing and esoteric electronic sounds. The Blofeld can get a bit intense at times, and it seems like one of the booth agents was having a little fun with the next unsuspecting soul who tried turning it on.
For our first Weekend Cat Blogging of 2012, we reprise the original photo that launched this site. Here is Luna with the Novation keyboard on the beanbag chair near the turn of the new year.
Luna is all grown up compared to the youngster in the original photo in 2006, but she still has the same fur and eyes. And she still favors this particular beanbag chair as her own. Indeed, it’s a favorite napping spot here in the studio area:
I didn’t realize until looking at the original against these photos how similar the windows look, even though the original was in a completely different place.
The studio is a currently a focus of attention here at CatSynth HQ in that I am trying to further make it into a better organized laboratory for musical and visual creativity. And it also has to continue to double as the office, the place where the computers sit and where I pay the bills. I expect that Luna will continue to spend lots of time here as well.
Weekend Cat Blogging #344 is hosted by Mog with assists from Meowza and Ritzi at Mind of Mog.
The Carnival of the Cats well be hosted by Kashim, Othello and Salome in Vienna.
And the Friday Ark is at the modulator.