NAMM 2016: Booth 5000, Part 2 (more modular synths)

We opened this year’s NAMM coverage with a visit to the embarrassment of riches among modular synths at Booth 5000, so it is feeding that we return there for our final article. You can read the first installment (with a separate article devoted to the new offerings from Rossum Electro-Music).

We at CatSynth are fans of Make Noise Music and their modules. This year they introduced the TEMPI.

Make Noise TEMPI

The TEMPI is a “six channel, polyphonic time-shifting clock module” that allows to create and store clock-signal arrangements using both algorithmic and manual techniques. The channels can be linked to do classic clock-divider and multiplier patterns, as well as manual entry. The divider/multiplier are continuous so can go beyond integer ratios. And it has storage for 64 6-clock configurations. I often complain about my current lack of clock sources (especially for driving the Make Noise Rene), so this would be a potential great addition.

Make Noise also released standalone synth, the 0-Coast.

Make Noise 0-Coast

Like the offerings from many manufacturers this year, the 0-coast is intended to be an integrated full synthesizer voice, complete with CV and MIDI control. As one would expect, it’s a bit more esoteric than the equivalents from Roland and Moog. The parameters remind me a bit more of a Serge or Buchla synth.

Pittsburgh Modular also released a new standalone modular system, Lifeforms.

Pittsburgh Modular Lifeforms

The Lifeforms is a single-voice unit with oscillator and Pittsburgh Modular filter plus integrated controls. It can be paired KB-1 pressure-sensitive controller to make a fully autonomous instrument. You can here a bit of my attempt to play it in this video.

@pghmodular Lifeforms in action! #namm

A video posted by CatSynth / Amanda C (@catsynth) on

The Lifeforms does seem like a rebrand. While the sound character reminds of me of existing Pittsburgh Modular synths and it retains the iconic knobs, the stenciling on the faceplates is different – the old “typewriter” look of previous modules has been replaced with a more contemporary style. The system would make a good entry to more advanced modular synthesis.

Endorphines was presenting their own colorful line of modules.


The heart of their system is the Furthrrrr Generator, a complex VCO reminiscent of Buchla synthesizers with its simple functions based on harmonic relationships. Similarly, the Fourierrrr module provides waveshaping using harmonic relationships. These are complemented by a serious of function and control modules, including the Shuttle Control that converts between USB, MIDI and CV. You can hear a bit of fun with their modules in this video featuring our little mascot.

WMD presented the new Aperture Filter, a full-module version of their existing Aperture Filter card for Black Market Modular’s ColourCV system.

It is described as “a variable width bandpass Butterworth filter (designed by Tyler Thompson).” You can hear a bit of this filter, along with WMD’s new Performance Mixer.

We conclude with the Haken Continuum, which was on display amonst the modular madness. Not a new instrument by any means, but one that is always fun to return and play. The control surface feels liquidy and comfortable, but familiar enough for an experienced pianist.

Amanda C on the Haken Continuum keyboard

The demo included an iPad synth with a string patch that took advantage of the Continuum’s multi-dimensional degrees of freedom. But sitting among the modular synths, one can contemplate other possibilities. To this end, Haken has introduced the CVC that allows direct analog CV control from the fingerboard without the need for a MIDI converter.

There really was a lot at the show that I couldn’t get to, or did not fit into an article. It can always be a bit overwhelming, but very rewarding. In the end, NAMM visits are always a mixture of wanting the new instruments I see, and reaffirming things I wanted from previous years. I will be working on my list…

CatSynth video: Yamaha DX7 DEMO RISE OF AN UNKNOWN

From paul mungru on YouTube, via matrixsynth. Spot the kitten!

The DX7 a sonic legend. I have made this synthesizer my project for over 20 years. They said it was impossible to program. They were wrong. Its different but once you know the major sound shapers.

There is no pure synth in history that can surpass what a DX7 can do straight from its own engine. As always 100% DX7 sounds.

I still have a Yamaha TX81Z and TX802 in the studio, but rarely if ever used these days. Part of it is the tedium of programming, though a good editor/librarian can take care of that. It would be interesting to combine the TX81Z and analog synths in the same composition, something that was rarely if ever done in the 1980s.

CatSynth pic: CV Sunday from Moog

Another from our friends at Moog Music, Inc., via Twitter.


This picture of a kitten on a Moog modular actually appeared here on CatSynth before. I leave it as an exercise to the reader to find the post πŸ™‚