Posts Tagged ‘Music’

Reconnaissance Fly at DUENDE, Oakland (March 26)

0 Comments

Today we look back at Reconnaissance Fly’s recent performance at DUENDE on Oakland. DUENDE is a venue and tapas restaurant/bar that has been quite supportive of the new music community (I have been remiss in writing reviews for some of the other shows I have seen there), and also has delicious food and wine.

patatas bravas and Tempranillo

The patatas bravas are simple but delicious. The Tempranillo was quite nice as well.

The performance itself was fun. We had a good audience, mostly filled with familiar faces but that is always welcome. And we premiered a couple of new pieces, Spirograph by Polly Moller and Undeciphered by Tim Walters, which featured text in the undeciphered Linear A script (go look it up). Here are some views from the show.

20120318-IMG_2268-2

20120318-IMG_2235-2

Amanda Chaudhary
[Photos by MSW.]

Yes, I deliberately matched the color of the Nord.

Rounding out the band as always were Rich Lesnik on reeds and Larry the O on drums.

We are now busy working in more detail on those pieces and at least one more new one for our next show at the Makeout Room in San Francisco in early May.

RedditPinterestShare
Tags: , , , , , , , , , ,

Base 4 and the Bay Area Improvising Tag Team Ensemble

0 Comments

Despite being extremely tired from a major event as well as a rehearsal this past weekend, I did manage to catch a performance of jazz and improvisational antics at Berkeley Arts this Sunday evening. The evening opened with Base 4, a jazz trio featuring Bruce Friedman on trumpet, Derek Bomback on guitar, and Alan Cook on drums and percussion.

20140413-IMG_050920140413-IMG_0511

They performed very abstract versions of standards, including Afro Blue and Solar, two favorites of mine. There was also free improvisation and some lesser-known compositions. It was a technically strong performance, a full of creative details.

Then we switched rooms for a completely different experience with the “Bay Area Improvising Tag Team Ensemble.” Not really an ensemble, this cast of characters assembled by Moe! Staiano performed free improvisation “refereed” by Gino Robair. Basically, performers were given signals of when to start and stop, and could within that context tag one another to play together and switch instruments. There were, however, penalties that could be levied against performers. A penalty meant holding a can of motor oil and not playing until it lapsed or another penalty was committed.

20140413-IMG_0526

As with sporting events, one could find disagreement with the referee. In this case, I strongly disagreed with Gino’s giving Polly Moller a penalty for using a wah-wah pedal. We at CatSynth approve of wah-wah pedals.

Here are some other scenes from the evening’s performance. We begin with Matt Davignon on turntable and Moe! Staiano on drums.

20140413-IMG_0522

Bandmates Polly Moller (Reconnaissance Fly) and Melne Murphy (Surplus 1980).

20140413-IMG_0519

Mark Clifford and Kyle Bruckmann. Mark does not usually play bass.

20140413-IMG_0535

Brian Tester and Yacob Roli Glowniss.

20140413-IMG_0530

Rounding out the ensemble for the evening were Dominique LeoneJacob Felix HeuleJason Hoopes, and others who I have missed.

Overall it was a lot of fun to watch, especially when things got more rhythmical or when a penalty was eminent. The performers who I talked to seem to have a lot of fun as well.

RedditPinterestShare
Tags: , , , , , , , , , , , , , , , , , , , ,

Quick takes: MAS attack LAxSF and Surrey Street Salon

3 Comments

It’s been a while since I have reported on one of those evenings with multiple cultural events that enrich life here. One recent rainy evening involved a visual art opening and a salon with a variety of performances.

I started at 17th Street Studios in the Mission for MAS Attack: LAxSF, a one-night show that featured 30 artists from Los Angeles and San Francisco, respectively.

One of the particularly intriguing pieces in the show was Miri Chais’ Rabbit Hole, with its organic circular forms but technology-inspired details and changing blue patterns of light. The mixture is intentional, and the title is inspired by Alice in Wonderland.

Miri Chais Rabbit Hole

Utopian Heads by L.A. artist Mark Dutcher caught my attention for its evoking of painting styles and concepts of the early twentieth century experiments. The title of the piece seems to fit with that as well.

Mark Dutcher, Utopian Heads

It seemed that the artists from L.A. dominated my attention at the show. As with the above pieces and the one below by Steven Wilkoff, they seemed to unapologetically modern.

20140208-IMG_0084

But these piece from Oakland-based artist Scott Greenwalt did provide a contemporary take on abstraction.

Scott Greenwalt

It was then off to Glen Park, just a short trip south from the Mission along the miniature freeway known as San Jose Avenue. (But that’s a story for another time.) My destination was the Surrey Street Salon for a fun evening of performance with a circus theme. So of course there were clowns with vaudeville-style musical numbers.

20140208-IMG_0103

There was also serious musical talent on display. I was quite impressed with Tin Sandwich, an all harmonica band.

Tin Sandwich

Their instruments ranged from tiny inch-long specimens to the large bass harmonica.

bass harmonica

Their arrangements, while mostly traditional songs, were quite tight, and included some impressive solos. I would definitely want to see them again.

Surplus-1980 bandmate Moe! Staiano also performed, this time on solo percussion.

Moe! Staiano

His avant-garde percussion playing is frenetic, moving quickly from on idea and one instrument to another, whether it is part of his traditional drumset or superballs against the window.

In all, it was a great evening of music and art, and the two events provided quite a contrast in style.

RedditPinterestShare
Tags: , , , , , , , , , , , , ,

Wordless Wednesday: Red and Green (NAMM Jam)

11 Comments

NAMM Jam

RedditPinterestShare
Tags: , , , , , , , , ,

NAMM 2014: New WMD / Steady State Fate modules

1 Comment

Analog-module makers WMD had a strong presence at this year’s NAMM show. In addition to their existing offerings, which include both utility and more esoteric modules, they presented a set of devices that were jointly made with Steady State Fate (SSF). You can see a demo in this video.

It was fun how they made Zip, our trusty stuffed kitty, rock out to the modular :)

RedditPinterestShare
Tags: , , , , , , , , ,

NAMM 2014: Moog Theremini

Comments Off

The most notable new offering this year from Moog Music, Inc. was the Theremini, a very accessible incarnation of the classic theremin.

20140125-IMG_9971

The design of the instrument evokes classic science fiction of the 1950s and 1960s (in which the theremin was a mainstay), and it features modern enhancements including a variety of tones and effects, support to stabilize pitch, and CV and MIDI for external control. And it’s MSRP is $299.

I decided to try my hand at this fun and photogenic instrument.

20140125-IMG_9982

You can see a bit of my attempt to perform one-handed in this video.

I can see this being a great tool for live performance, both standalone and as a controller for analog synths. I look forward to learning more about it.

RedditPinterestShare
Tags: , , , , , , , ,

CatSynth at NAMM 2014

Comments Off

catsynth-namm2014

Once again, we at CatSynth are going to be attending the big NAMM show in southern California, starting on Thursday. I will be focusing on synths and other music technology, but I also enjoy finding fun and esoteric musical instruments of all sorts.

Stay tuned to these pages for full coverage during the show, along with live updates via Twitter @catsynth and Instagram. And if you’re attending, maybe I will see you there :)

RedditPinterestShare
Tags: , , ,

Reconnaissance Fly Album Release!

1 Comment

Well, it’s taken quite a while, but it’s finally here. Reconnaissance Fly’s debut album will be coming out a week from today on January 17, and is available for pre-order now!

To celebrate, we will be having our album-release show on Saturday, February 1 at Berkeley Arts.

1491361_10151850980482183_733359317_o

If you’re in the Bay Area, come join us for this event. But wherever you are, please give our album a listen…and then buy it.

RedditPinterestShare
Tags: , , , , , , , , ,

2013, The Transformative Year

4 Comments

2013 Year End photo

 

[click image to enlarge]

 

Once again, it’s time for our traditional end-of-the-year image at CatSynth.   The past couple of years have all been good, rich, full, and sometimes complicated.  But 2013 has been particularly significant, certainly one that I will long remember.  As the title says, it has been a transformational time on multiple dimensions for me, indeed it has touched almost every aspect of my being.  There will be more to say on that in the coming days. Music and art have been going very well, too, and one of the main challenges of this coming year will be to build on the successes of this past year but in a more directed way.  If that sounds vague, it’s because I haven’t quite figured it out yet.

For Luna, things pretty much are the way the always are.  Such is the life of a contented house cat.  And we wouldn’t have it any other way.

Thanks to everyone who reads and supports this project, whether here at the blog, on Facebook, or through the many personal friendships that grown from here.  You are all what makes this work worthwhile!

RedditPinterestShare
Tags: , , , , , , , , , , , , , , , , , , , ,

Performance at Harvestworks with Rachel Mason and The Use

Comments Off

Today we look at the second of my two performances in New York this past November. This one took place at Harvestworks, a non-profit organization in lower Manhattan that supports musicians and helps them work with technology. It was also a bit of a homecoming for me, as I had interned at Harvestworks in the summer of 1993 – yes, 20 years ago!

The concert was actually part of artist-in-residence Rachel Mason’s ongoing work, and featured a collaborative performance with Michael Durek of The Use that exploited Harvestworks’ surround-sound system. The piece included a mixture of videos, both found online and created specifically by Mason, and live music that featured electronics from Durek and voice by Mason. You can see their full performance in this video.

Rachel Mason and Michael Durek, Harvestworks, November 30, 2013 from CatSynth; on Vimeo.

It opens with a found video of an odd fellow talking about using electro-magnetism to detect ghosts. He explains basic electronics to the video (at one point getting his units wrong), with Durek slowly entering with discrete tones on the theremin. Soon the texture becomes thicker and moves into more beat-based music that I have heard in The Use’s more recent work. Rachel Mason’s vocals were quite expressive and melodic. The videos changed to show Mason in interesting costumes walking around both Brooklyn and Joshua Tree, two particular favorite environments of mine.

Then it was time for me to take the stage. I also used video, a very simple live-processing patch in Jitter that combined generated images with live input. For this piece, I had a set of cat-themed playing cards, which I would draw, show via the video processing, and then interpret for the next section of music, either as a literal specification for a patch on the Dave Smith Evolver, or more abstractly with the analog modular synth and Garrahand drum. You can see the full performance in the following video.

Amar Chaudhary at Harvestworks, November 30, 2013 from CatSynth; on Vimeo.

Overall, it was a great show, and we managed to have a full house, which is always a nice experience as a performer. I certainly hope to be able to work with these artists and with Harvestworks again in the future.

RedditPinterestShare
Tags: , , , , , , , , , , , ,