Fun with Highways: Florida

We begin our tour on US 1 in Coral Gables, where it is known as the South Dixie Highway. I was actually in a pub along here on Election Night 2004, watching the results with friends and colleagues from the International Computer Music Conference (ICMC). For the most part, the election was quite disappointing – and we didn’t even get to enjoy a controversial Florida result to experience first-hand. So after a night of beers and commiseration, we turned our attention back to the conference itself, and to points north. Heading up US 1 towards Miami, we come to the rather unassuming freeway ramp that marks the start of I-95, the main north-south highway along the east coast. It’s a modest beginning for a such a major road. I-95 is an elevated urban highway through downtown Miami, as is the spur I-395 which took us over the city to the MacArthur Causeway and onto Miami Beach as A1A, one of the more oddly numbered highways in the country.

In Miami Beach, A1A continues as Collins Avenue, though the Art Deco district of the South Beach neighborhood.

[Photo by wyntuition on flickr. Attribution-ShareAlike 2.0 Generic (CC BY-SA 2.0).]

The Art Deco architecture of many of the area’s buildings dates back to the 1920s. One see a certain modernist quality in it, with the details of traditional architectural ornament reduced to simple shapes, but unlike mid-century modernism, such ornament (albeit more abstract) remains. The design of the buildings, the bright colors and the neon lighting are all part of the neighborhood’s character. This was a fun place for food and drink, and to access the beach (it is Miami Beach, after all). The most notable thing about beaches in Florida is that the water is warm, even into the evening. For someone who has lived near beaches in northern California, actually going into the water like this is a bit of a novelty.

The next day I ventured out on my own using public transit into Miami, primarily using the elevated rail line. I stopped at Calle Ocho (8th Street) and walked its length through the heart of of Miami’s Little Havana neighborhood. The street carries the final section of US 41 towards downtown Miami. I think it was most curious to explore it because of my experience a few years earlier in “Big Havana” (i.e., in Cuba). Probably the main visual feature of the street were the frequent rooster statues along the side, including this somewhat “patriotic” specimen:

By the time I had gotten to downtown, where US 41 terminates at US 1., it had begun to rain. I did make it as far as Bayfront Park where I came upon this sculpture.

North of Miami, I-95 enters the Golden Glades Interchange along with Florida’s Turnpike, FL 826, US 441, and FL 9. As one can see in this photo, it is quite a tangled mess.


[Click to enlarge.]

From here, one can continue north on I-95 along the coast, or veer inland towards Orlando on the Turnpike. We will continue north on I-95, which brings us to Cocoa Beach. This is beach where I first experienced Florida’s atlantic coast as a child, the water, the sand, the seashells. Of course, the reason we stayed here was that it is part of Florida’s “Space Coast” and quite close to Cape Canaveral.

The epicenter of the American space program loomed large in the imagination – even though the moon landings were long over, space was still a powerful draw and the vehicles, structures and devices that made space travel possible were quite exciting to see up close and could even mask the fact that so much of this technology was on the edge and quite inaccessible to most of us. In that sense, space has never really entered into our lives the way computer technology (which also started as remote and rarified) has done so. That is a bit sad. Despite all the joking about a certain presidential candidate’s recent “moon base” proposal, I have to admit I wish we were more ambitious again about expanding into space. We never really solved the problem of efficiently getting into orbit, and thus haven’t been able to make it truly route and accessible. There are those working on this problem, on the Space Coast and elsewhere, but that is a topic for another time.

As one continues up the coast towards Daytona Beach, I-95 meets I-4, which heads westward and southward through the center of the state. It crosses Florida’s turnpike just south of Orlando and just next to the Walt Disneyworld Resort. Everyone knows Disneyworld. I had last been there as a teenager. EPCOT center was visually interesting (in terms of the buildings and structures), although it was already quite “retro” when it was completed in the 1980s. And the rides were not particularly compelling. I can only imagine it seems very dated now, but that could add to its visual charm.


[Benjamin D. Esham / Wikimedia Commons [CC-BY-SA-3.0-us (www.creativecommons.org/licenses/by-sa/3.0/us/deed.en)], via Wikimedia Commons]

It would be interesting to photograph. But perhaps as interesting from a photography perspective is another, now defunct, theme park just down the road. Splendid China, built and sponsored by the Chinese government, was a theme park that featured scale models of famous Chinese landmarks, including among others a miniature Great Wall. The park was never popular and closed in 2003. Since then, it has fallen into disrepair and is a frequent target of vandalism. I only found out about it as a result of a 2009 exhibition in San Francisco that included photographs by Thomas Cheng documenting the decay.


[Thomas Chang. Great Wall. Splendid China Theme Park, Orlando, Florida.
Image courtesy of the CCC online gallery. Click image to enlarge.]

I-4 continues southwest towards Tampa Bay, crossing I-75. I-75 is another major north-south national highway, and south of Tampa it largely follows along Florida’s “left coast.” It does, however, abruptly turn and become and east-west highway at the northern edge of the Everglades. This is the famous Alligator Alley. Along this section of I-75 is the Florida Panther Wildlife Refuge, home to the critically endangered Florida panther. There are perhaps around 200 left.

The highway cuts through the panther’s habitat, but the rebuilt version includes passageways underneath for panthers to travel safely. It also facilities the movement of other wildlife. Of course, one does find alligators along the highway.

Returning to the beginning point of our virtual tour, one can travel south on US 1 to the southern tip of mainland Florida, where it becomes the Overseas Highway through the Florida Keys. The highway links together a series of bridges and causeways through the keys.


[Averette at en.wikipedia [CC-BY-3.0 (www.creativecommons.org/licenses/by/3.0)], via Wikimedia Commons]

Some of the structures of this beast were part of an older railroad, and have since been replaced. But old sections remain.


[By Elkman (Own work) [GFDL (www.gnu.org/copyleft/fdl.html) or CC-BY-SA-3.0-2.5-2.0-1.0 (www.creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons]

US 1 eventually comes into Key West. It makes a final right turn onto Whitehead Street, passing by the Ernest Hemingway Home and Museum. Among the current residents of the home and museum are “Hemingway’s Cats”, who are descended from the author’s cats and many of whom are polydactyl with extra toes in their paws.


[Averette at en.wikipedia [CC-BY-3.0 (www.creativecommons.org/licenses/by/3.0)], from Wikimedia Commons. Click to enlarge.]

Hemingway was quite fond of these cats, and the museum has become a permanent home for them – we of course hope it stays that way.

Only a few blocks away, US 1 ends. This “end” assembly with Mile 0 marker is probably one of the more photographed ones in existence.


[Photo by CedarBendDrive on flickr. Attribution 2.0 Generic (CC BY 2.0)]

It probably gets stolen quite a bit, too.

NAMM 2012 article round-up

I have consolidated all of the NAMM 2012 posts in the list below.  Lots of photos with our stuffed cat, and also a few videos.

At NAMM at last

NAMM: Waldorf Zarenbourg and Blofeld

Korg’s Little Instruments at NAMM

Battle of the iPad Docks at NAMM. Behringer iStudio and Alesis iO Dock

Moog Minitaur

Dave Smith Instruments Tempest and Mopho at NAMM

Arturia MiniBrute

Keith McMillen Instruments QuNeo (NAMM)

Dr. Lonnie Smith, Hammond Sk2 (NAMM)

Lunar Experience modular, Noisebug (NAMM)

Teenage Engineering OP-1 and Oplab

IK Multimedia iRig MIDI and iRig Cast (Good for OWS?)

Trash Audio party at NAMM and Matrixsynth “Wine Bar”

Malekko Heavy Industry at NAMM

Analog Haven at NAMM

There are also several items that were only covered via Twitter @catsynth with hashtag #NAMM.

Weekend Cat Blogging and Photo Hunt: Fluffy

For our combined Weekend Cat Blogging and Saturday Photo Hunt on the theme of fluffy, we have some unusually fluffy and quite playful photos of Luna:

Luna is technically a short-hair cat, but in the winter her fur gets longer and thicker, and is more visible when she rolls around instead of one her more staid poses. Of course, it’s nothing like the “floof” one sees on some cats.

These photos were done with the “big camera” – the iPhone (either straight or with Hipstamatic) is too slow to capture the detail of Luna’s fur.


Weekend Cat Blogging #347 is hosted by Salome at PaulChens FoodBlog?!

The Saturday Photo Hunt is up. This week’s theme is fluffy.

The Carnival of the Cats will be up tomorrow at Friends Furever.

And the Friday Ark is at the modulator.

CatSynth pic: A Minimoog Saved from Fire & Juno the Maine Coon Kitten

On matrixsynth, where you can read more and link to more pictures of the synth. Below are some excerpts:

via Jorge: “This is Juno my new Maine Coon Kitten sitting on my Prized Minimoog D…

…Almost 2 years ago I got this Mini From Craigslist Virginia, Funny thing though is that the guy that had it happened to go to the same High School I went to in the early 80’s.

He said he got it when he worked at Venamin’s Music in Springfield VA, working as a manager in the 80’s. This Mini Spent most of its life in his Basement studio and survived a fire that burned the entire house down except a closet that was in his basement where the Mini was stored in an Anvil case…

Analog Haven at NAMM

I often find myself spending quite a bit of time at the booth of Analog Haven at NAMM. It is an opportunity to see quite a variety of analog instruments (and a few not-quite-analog), and meet several of the small independent makers. The visit took on added significance as I cautiously wade into adding analog modular to my own arsenal of musical instruments.

We big with KOMA Elektronic, who showed off a prototype of their new Kommander, an infrared motion controller with multiple axes of control. It joins their existing effects boxes in their product line:

We also had fun with the fact the industrial design, particularly the geometric black-and-white pattern, match my own aesthetics in terms of dress and decor.

Make Noise is known for their unique and complex modules for audio processing and control. They had several new offerings, including the Echophon whose sound I quite liked.


[Click to enlarge.]

The Echophon is a collaboration with Tom Erbe of SoundHack, and is a reverse of the usual trend in that digital character is re-imagined in the analog domain. Make Noise also presented their first oscillator, the DPO.

Another module that particularly caught my fancy was the Morphing Terrarium from Synthesis Technology. It is a wavetable VCO that contains numerous waveforms, but more significantly it has parameters for “morphing” or moving among the different wavetables. With the right self modulation, this can lead to very surprising and complex waveforms:

Another interesting new find was an analog modular video synthesizer from LZX Industries.

Like analog audio counterparts, the LZX modules generate, process and modulate analog video signals. Think of it as being the boxes that each do all the little pieces of an old TV studio but with creative routing and control. You can see a little bit of video below:

I did specifically ask about mixing audio modules with the video modules (LZX uses the standard Eurorack format), and was informed that yes, this can be done, though one would need to match the voltages between the two domains, and keep in mind that the frequency ranges of video are much higher.

Visual interest and catchy names are a big part of the inspiration in many of the small boutique offerings. These pedals from Audible Disease were quite creative.

Among the visual designs, this simple switcher caught my attention. It reminded me a bit of my visit to the Communist Propaganda Museum in Shanghai.

Other offerings included the ARCHANGEL, an analog sequencer with touch plate controllers, from Detachment 3.

And these pedals from Lightfoot Labs:

The Goatkeeper 3 is a tremolo pedal with analog signal path, but with a variety of waveforms (including the ability to record your own), and a sequencer for even more complex modulation.

There was a lot more at the booth, more than I can do in one article. I hope to see more of these instrument makers as I personally explore analog synthesis in greater depth.

And