Well, it’s taken quite a while, but it’s finally here. Reconnaissance Fly’s debut album will be coming out a week from today on January 17, and is available for pre-order now!
To celebrate, we will be having our album-release show on Saturday, February 1 at Berkeley Arts.
If you’re in the Bay Area, come join us for this event. But wherever you are, please give our album a listen…and then buy it.
Shameless promotion of Surplus 1980’s new album, Arterial Ends Here.
Last month, I attended the CD release of Emergency Rental at the Meridian Gallery. Emergency Rental is a collaboration between the Emergency String (X)tet and Rent Romus “exploring sound in and outside the elements of free improvisation between saxophone and strings.”
The personnel for the Emergency String (X)tet changes (hence the “x”), but does have a stable core of regulars. Founder Bob Marsh was joined by Doug Carroll on cello, with Adria Otte, Angela Hsu and Jonathan Segel on violins, Kanoko Nishi on bass koto, and Tony Dryer on contrabass.
Overall, the music moved back and forth seamlessly between free improvisation with extended techniques and passages that borrowed from more idiomatic jazz ideas. Early on, there was a bit of a shuffle beat and jazz-like saxophone lines set against more anxious tones from the strings, a mixture of both long tones and pizzicato. There were times when the saxophone and strings seemed to match one another in both tone and musical structure, such as a section that featured glissandi and scraping tones. The next section featured long bass notes and more scratching melodies set against a very lyrical saxophone line. This gave way to loud growling saxophone against a rich pad of strings.
One piece focused on extended techniques, including prepared strings with chopsticks and other items placed between the strings and bodies of the instruments – something I have often seen the Emergency String (X)tet do. Doug Carroll also reoriented his cello upside-down and sideways at various times. Romus played his saxophone without a mouthpiece, blowing directly into the body the way one might on a brass instrument. He also used a sound that I dubbed the “angry breath noises.”
The second half started off very percussive, and even though the ensemble was entirely acoustic, this section reminded me of the analog electronics in early electronic music like Stockhausen’s Kontakte. This segued into a more idiomatic duo of saxophone and walking bass was set against atonal glissandi from the other strings. There were other interesting sections, such as a syncopated rhythm that came together and broke apart, and a section of pure percussion by all the instruments that reminded me of tapping and bouncing balls.
Emergency Rental, which marks Romus’ 25th album release, is available from Edgetone Records.
I am happy to announce the release of 23 SECONDS OV TIME, a project of the Autonomous Individuals Network in which I am participating.
The collection contains 97 individual tracks, each exactly 23 seconds in length, with the total assemblage running for 37 minutes and 14 seconds. You can find my 23-second contribution, entitled “Four ideas in 23 seconds”, at track 80!
Volume One will be released in a limited edition of 123 hand numbered CD Copies.
This CD is planned for release on November 23,2010. Until November 23, you can download or stream the entire collection for free as a single MP3. In either format, I encourage everyone to check it out!
It is interesting to hear the pieces as a single unit, with such short durations they become phrases in a larger whole piece, sometimes with very sharp transitions.
You can also find out more about the Autonomous Individuals Network (and the significance of 23) at the official website.