As per usual, Luna is enjoying morning sunshine by sitting underneath one of our many glass tables at CatSynth HQ. Unfortunately, her favorite one is completely covered with piles of clothing right now, but that doesn’t stop her from claiming her usual spot.
The glass dining table has become a staging area for a major clothing purge. Here things are separated into items to be sold, donated or given to friends. After a zealous start, I have been busy with work and rehearsals for upcoming shows (including a performance tonight), so the piles remain for now. But Luna and I will both be happy when they disappear.
Today we look at back at the show “Noisy with a Chance of TEXT” that took place at the Turquoise Yantra Grotto in San Francisco earlier this month. The program of experimental music with textual elements intended to “break the ultimate taboo in noise: meaning” and featured performances by Pitta of the Mind (my duo with Maw Shein Win), Red Thread (CJ Borosque and Laurie Amat), and Pet the Tiger (David Samas and Peter Bonos). A secondary theme of the night was cats – with abundant animal print in the setting and attire of the participants.
The concert opened with an introductory set by Pet the Tiger, combining David Samas’ vocals and custom musical instruments with instrumental performance by Peter Bonos.
Their performance combined a wide variety of sounds into a short period of time, with experimental voice, instrumentation and electronics. It set the tone for the evening of sometimes complex music but also warm and inviting at the same time.
Next up was Red Thread, a duo of CJ Borosque and Laurie Amat.
The set started (and ended) with extended-technique trumpet and voice, but in between it was a very sparse and captivating presentation of CJ Borosque’s poetry. Throughout, there was a counterpoint between the straight recitation of the text and Laurie Amat’s virtuosic vocal techniques.
Then it was time for Pitta of the Mind to take the stage.
We took the animal-print theme quite seriously with our costumes, and Maw Shein Win read a selection of animal-themed poems while I performed music on a variety of iPad synthesizer apps. You can see our full performance in this video:
I particularly liked how well timed and structured the performance turned out, including the “cat piano” interludes. It was also great to see how much the audience got into the theme, meowing back at us. Afterwards, I was joined on stage by David Samas in an impromptu duo where he combined his extended vocal techniques with my improvisation on an analog modular synthesizer. It’s amazing how much Samas was able to “sound like a synth” with his voice. Again, you can see the full performance in the video below:
Overall, this was one of the most fun experimental-music shows I have participated in for a while. Not only was it strong musically, but we had a large and appreciative audience that packed the intimate space of the Turquoise Yantra Grotto. I certainly hope for more shows like this in the near future.
We close out the year with one final gig report: my performance at the CCRMA Transitions concert at Stanford University’s computer-music center. The two-night event took place in the courtyard of CCRMA’s building, with a large audience beneath the stars and between an immersive 24-channel speaker array.
I brought my piece Realignments that I had originally composed in 2011 for a 12-channel radial speaker and eight-channel hall system at CNMAT, part of my Regents Lecturer Concert there. This version, outdoors in front a large audience and clad in a provocative costume, was quite an experience, and you can see the full performance in this video:
The Transitions version of the piece was remixed to use the eight main channels of the speaker array at CCMRA. Once again, the iPad was used to move around clouds of additive-synthesis partials and trigger point sources, which were directed at different speakers of the array. The overall effect of the harmonies, sounds and immersive sound system was otherworldly. I chose this particular costume to reflect that, although I had also used it a couple of weeks earlier in my duo “Pitta of the Mind” with poet Maw Shein Win at this year’s Transbay Skronkathon. I am planning more performances with this character (but not the same costume) in the coming year.
This is one of the new pieces I have this fall for San Francisco Open Studios!
If you link up, please leave a comment as well.