Weekend Cat Blogging with Sam Sam: E-MU

Sam Sam has her usual spots, but sometimes she sits down in unexpected places.  For example, yesterday she entered “kitty loaf” mode in front of an overflow shelf just outside the studio that continued several old E-MU modules.

Sam Sam with E-MU Carnival, Orbit and Classic Keys

The E-MU Orbit, Carnival and Classic Keys are all variants of the first generation Proteus.  The Orbit, in particular, was iconic in its time, but all rather obsolete now.  I do still use my Proteus 2000 module (a Vintage Pro with Mo’Phatt and Beat Garden expansion ROMS) quite often – you never know when you might need a few lines of Mellotron flute or strings or a classic highly-filter-swept drum loop.  There are other ways to get these musical elements, but the P2K remains quick and accessible.  The Morpheus also still has a place of honor in the studio.

Proteus 2000 (Vintage Pro) and Morpheus

Both of these later-generation E-MU instruments had more to offer, especially the z-plane filters that the Morpheus took to the extreme.  These days, I do find myself experimenting with the Morpheus Eurorack module from Rossum Electro-Music more than the old E-MU box, which is just the z-plane filter with CV-controlled parameters.  Even after using it extensively in recent shows, I still have a lot to learn and practice with it.

When we’re not up in the studio, Sam Sam enjoys spending time on the living room rug and perfecting her patented “scratch-and-roll” move.

Sam Sam scratch-n-roll

I have too many photos of her in this pose now, it’s just hard to resist.  Of course, what she wants is not a photo, but pets and then brushing.  I am more than happy to oblige.

Preparing for tomorrow's performance

Well, the first big solo show since moving to the city is nearly upon us. And it's a big one, at least in terms of the setup and preparation. Indeed, this is the largest and most complex setup I have used for a live show in quite a while, with both Mac and PC laptops, the tablet, MIDI keyboard, the Evolver synth, and the Proteus 2000 module. And of course the rather byzantine wiring and signal routing to keep it all together.

In the photo, one can see not only the equipment, but a couple of the acoustic instruments I will be playing including the ektar and the gopichand.

Why such a complex setup? Well, I wanted to a variety of pieces for this performance, combining both the newer simplified performances (such as those I did last year on tour with Polly Moller and Company), with some of the older more complex works. I also wanted to play the tablet, which I haven't done in a while, and it only runs on the older PC laptop; and include a couple of pieces from the CD, including Chimera and a variation on Xi. I was a little bit concerned about pulling out the old laptop for this performance, but after some effort it's running decently, and it's great to be able to blend elements from my older performances with the more recent ones. And in truth some of the older pieces are more fun to play, such as Chimera on the tablet, and the patch that responds to live drumming (officially called “drummer boy”).

Luna has of course had to make her presence felt during the rehearsals, as you can see here.

After a shaky start, the program has come together quite nicely in the last few days, and I am now looking forward to performing tomorrow.

For those interested, the time and location is:

Thursday, May 8, 8PM
Luggage Store Gallery
1007 Market St.
@ 6th Street
San Francisco, California

More details can be found here.

New Podcast: Synth Summit at Luggage Store Gallery, July 2004

Tonight's podcast is an excerpt from the “Synthesizer Summit” at the Luggage Store Gallery in San Francisco. Basically, the performance is an improvisation by several artists playing hardware synths. If I recall correctly, the artists and their respective synths were:

Synthia Payne: Roland JP8000
Amar Chaudhary: E-MU Proteus 2000 (Mo'Phatt + Vintage) and Morpheus
LX Rudis: Oberheim Matrix 12
Jim Ryan: Arp 2600
Will Grant: E-MU UltraProteus

Note: many subscribers may have heard another excerpt fromt the Synthesizer Summit that I accidentally released a few weeks back instead of the advertised Woodstockhausen 2003 performance (that has since been corrected).